Who: G. K. Chesterton was a devoutly Catholic journalist, poet and novelist of the early 20th century. His most apt nickname is “The Prince of Paradox.”
Overview: Orthodoxy is Chesterton’s vision of the world, and it is a vision that does not shy away from paradox. Chesterton unapologetically challenges the zeitgeist as he sees it—he sees an age being overrun by philosophical materialism and biblical criticism. Almost every chapter turns a stereotype on its head: “The Maniac” (ch. 2) challenges the idolatry of logic; “The Flag of the World” (ch. 5) fuses optimism and pessimism and finds the Christian doctrine of the Fall to be the perfect synthesis; “The Romance of Orthodoxy” (ch. 8) challenges the cliche that holiness is necessarily boring.
As an economic liberal and a theological conservative, Chesterton constantly spins around the idea that conservative theology is somehow connected to niggardliness, lifeless moralism, or unsociableness.
Meat: Perhaps the best thing about this book is that few theologically interesting books are such a pleasure to read. Chesterton is always entertaining, but this book is remarkably readable. I went through it in only a few days, and immediately decided that I must re-read it as soon as I can.
I could not possibly summarize here what was profound in this book, but I could note two things:
First, his statement, that “you must love someone for them to be lovable,” has had a tremendous impact on the way we do evangelism in my organization. It frees us from looking for a certain type of people to minister to; it pairs with Schaeffer’s universal statement, “There are no little people. There are no little places.”
Second, the chapter on “The Paradoxes of Christianity” has only grown in relevance as we now live in an information economy, where every passing generation is technology-native. Academics positively fidget at the concept of paradox; it is like trying to swallow a bundle of firewood sideways. Because so many worship information on weekdays but Jesus on Sundays, we struggle intensely at the Bible’s statements about lions and lambs. If Chesterton is right, finding not a balance, but violent synthesis between such paradoxes, may be an important key for building our faith in an age that is, if anything, even more subservient at the altar of reason.
Orthodoxy is, in a way, a culmination of Chesterton’s non-literary essays (The Defendant, All Things Considered, Triumphant Trifles, Alarms and Discursions, etc.), which likewise often involve humor, modern metaphors, parables, paradoxes, and the artful breaking of dichotomies and stereotypes. All of these books are good, but Orthodoxy is by far the best.
Bones: The one struggle of this book is the references. Chesterton played the part of journalist and critic as well as lay theologian, so he often references current trends which are dated, or peculiarly British. I would like to see an edition of this book that uses endnotes to make the reading a little smoother.
Quotes: “I did try to found a little heresy of my own; and when I had put the last touches to it, I discovered that it was orthodoxy.”
“Love is not blind; that is the last thing that it is. Love is bound; and the more it is bound the less it is blind.”
“The men who really believe in themselves are all in lunatic asylums.”
“Angels can fly because they can take themselves lightly.”
“Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we.”
Related: The Lion and the Lamb by Gerald Kennedy.